
Scott Bentley’s ‘Fool Becomes a Rose’ : A Rustic Storytelling Country Folk
His latest release is ‘Fool Becomes a Rose’, a track that meditates on the transformative power of love. Fleshing out universal life frames, he fleshes out the nuances of how being loved well changes it all.

Experience Jackson Mathod’s Compositional Prowess in ‘Mandible’
His latest release is ‘Mandible’, a trumpet-centric instrumental, dressed in funk grooves, experimental attributes and an encompassing jazz promiscuity.

Album Review/ Experimental : Neva Insidious’ ‘Clarity in Misery’
Their debut release is ‘Clarity in Misery’, a collection that carries the observer’s mind as it juxtaposes a sense of clarity with the warping whirlpool that misery is known for.

Song Review / Pop : Richy McLoughlin ‘We Three Kings’
Taken from it is Richy’s contemporary and expansive interpretation of the classic Christmas carol, ‘We Three Kings’. He infuses the beloved carol into an extrapolative atmosphere.

Ian Leding’s Gothic Folk Extends to the Infinity of Death in ‘Last Goodbye’
In his latest release, ‘Last Goodbye’, Ian explores the bottomless melancholy of goodbyes, especially ones with finality.

Song Review/ Alternative : Marc Soucy’s ‘Troika to Tashkent’
Troika to Tashkent’ is his latest release, a track carrying large transitive frames, of forming landscapes that you can enjoy the way you would scenery from a train window.

Song Review/ Country Folk : Jeff Christie’s ‘Ordinary People’
Taken from this collection is ‘Ordinary People’, a track that dotes on the timelines, philosophies, lives, griefs and joys of the ordinary people of the world.

Song Review/ Christmas Pop : Sandy Martin’s ‘Christmas Time Cookies’
It makes for the perfect storytelling medium, passing on sentiments and intimacy in real time. ‘Christmas Time Cookies’ are the artist’s latest release, a single that weaves the many images of Christmas.

Album Review/ Piano Pieces : Mortenissimo’s ‘Debussy (extended)’
His latest release is ‘Debussy (extended)’ album, a six track collection. Its pieces are contemplative, but also playful and pliant. It represents the artist’s interpretation of Claude Debussy’s work, intermingling with his musings, imaginations, etc.

Song Review/ Dark Electronica : Marc Soucy’s ‘Tashkent Club Fire’
In his latest release, ‘Tashkent Club Fire’, he walks an experimental course that unites classicals with dark, moody electronica.

Song Review/ Electro Pop : Adik Angel’s ‘On The Move (Remix)’
Her latest release is the remix version of her song ‘On The Move’. The melodies are fresh and cool like the sharp morning air or crisp cold water.

Suburban Bicycle Gang’s Psychedelic Folk Rock Thrives in ‘Wendigo’
Their latest release is ‘Wendigo’, a track spruced with edgy swing rhythms, dramatic luminosity, and an enlarging glam scene. Like a vintage 70s film coming to life.

Tally Koren Throws it Back to 2000s Latin Pop with ‘Free Will (VIP Version)’
Her latest release is ‘Free Will (VIP Version)’, a song that is composed like it is water, so seamless and liberated in style, energy, and flow.

Album Review/ Alternative : Roam Like Ghosts’ ‘Church’
The trio have just released their latest album, ‘CHURCH’, a collection that announces the incredible range and depth of the band.

Album Review/ Folk-Synth Fusion : Rob Dobson’s ‘Be Easy’
His latest release is his sophomore album, ‘Be Easy’, a collection that not only reinforces his novelty but refines and builds on the sonic moments he laid out in his debut album.

Song Review/ Jazz Rock : The All’s Eye Trio’s ‘
The All’s Eye Trio creates a gentle mind warp with their debut release, ‘West Hill Road’. It is one of Ari Joshua’s newer projects along with fellow artists, Ben Atkind and Kris Yunker.

Song Review/ R&B : KARMA’s ‘The Mistletoe’
Their latest release, ‘The Mistletoe’ is dedicated to the upcoming festive season, as they blend a Christmas atmosphere to falling in love and taking it to the next level during the holidays.

Fringe Frontier’s ‘Livin’ Not to Lose’ : A Retro Surf Rock Float
Their latest is ‘Livin’ Not to Lose’, a track that features gratifying frames of 70s melodic rock. Like The Beatles and The Beach Boys. That retro surf imagery warms up the heart like a summer sun.

Song Review/ Rock : Chandra’s ‘Christmas Hugs’
‘Christmas Hugs’ is made as a jubilant composition that stitches in beloved Christmas carols with windows of heartfelt, feel-good pop rock.

DAAY’s ‘Should I Lie’ : A Dark Philosophical Warp
Psychedelic rock takes on so many layers and dimensions in DAAY’s ‘Should I Lie’. The track is made with warping flows and twisting rhythms, perhaps to showcase the arrival at a decision to lie.