Song Review/ Singer-Songwriter : Shweta Harve’s ‘Have You Loved Like A Tree?’
Shweta Harve is a singer-songwriter and artist. Her latest release is ‘Have You Loved Like A Tree?’, a track that reveals not only her musical virtuoso but a poetic grace and a soft spirit.
Song Review/ Singer-Songwriter : Ferdinand Rennie’s ‘This is Now’
There’s an expression and evocation to his songs, a theatrical feature that drives it all home. His latest release is ‘This is Now’, a track that showcases his many gifts.
Song Review/ Hard Rock : ReeToxA’s ‘War Killer’
Their latest release is ‘War Killer’, a single that is a part of the ‘SOLILOQUY’ album. It’s one of their deeper rock tracks. The instrumentals run deep, bubbling with coarse texture and incredible ambience.
Song Review/ Folk Rock : Arn-Identified Flying Objects and Alien Friends’ ‘The Hag’
Taken from this album is ‘The Hag’, a song that is wrapped by the tragic veil of an enduring figure who was falsely accused of witchcraft and burned at the stake.
Song Review/ Blues : Judith Owens’ ‘That’s Why I Love My Baby’
In her latest release, ‘That’s Why I Love My Baby’, the artist lists the many reasons she loves her husband.
Song Review/ EDM : Synthaurion’s ‘Hope is What We Need’
He’s a magician and each track is a magic trick. ‘Hope is What We Need’ is the artist’s latest single.
Song Review/ Alt Folk : Tonneau’s ‘O Father, O Mother’
His latest release is ‘O Father, O Mother’, a track that journeys through acoustics as if creating a language of its own.
Song Review/ Alt : Mosh Pit’s ‘No Returning’
Their latest release is ‘No Returning’, a track that not only bares teeth but infinitely drives into the depth of the punk grunge consensus. The best way to enjoy the track is to dive right into it.
Album Review/ Electronica : Johnno Casson’s ‘Soft Lad’
His latest release is the ‘Soft Lad’ album, a collection of immersive, reflective compositions contained in expansive soundscapes.
Album Review/ Alt Folk : Tonje Gravningsmyhr
The depth of the emotion and the forged layers of composition have such a compelling effect on the listener. Her latest release is the ‘Maze’ album, an eleven track collection that tells introspective tales.
Song Review/ Alt Folk : Joseph Turner & The Dudes of Hazard’s ‘Travelin’ Heart’
Joseph Turner & The Dudes of Hazard have just released their latest track, ‘Travelin’ Heart’. A track that is made to hold, expand, express, and explore a sense of freedom.
Song Review/ Contemporary Pop : Kaitlin Corbett Jones’s ‘Make The World Stand Still’
Her latest release is ‘Make The World Stand Still’, a track that traces the contours of a love that is coming apart.
Song Review/ Techno : The DJ Saint M Seagull’s ‘Peace Wanted Just to be Free’
The DJ Saint M Seagull has just remixed the Stevie Wonder and Luciano Pavarotti classic, ‘Peace Wanted Just to be Free’.
Song Review/ Dark Wave : Twice Dark’s ‘Savage Media’
His latest release is ‘Savage Media’, a haunting commentary on the darker pits of media.
Song Review/ Alternative : Korda Korder’s ‘Everything You Ever Wanted To Be’
Song Review/ Pop : Deja Renee’s ‘Falling (Lose My Mind)
Her latest release is ‘Falling (Lose My Mind)’. The artist sings about the feelings and frames that float into her mind as she’s falling in love.
Song Review/ Electro Pop : Deptford Sound Collective’s ‘#StopRunning’
‘#StopRunning’ is the collective’s latest track. The catchy hooks, colorful melodies, and vivid rhythms are all directed by a strong satire.
Song Review/ Rock : Father Chocolate’s ‘Terra’
His latest release is ‘Terra’. The track is crafted to embody the theme. Father Chocolate creates an ambience, an environment, a surreal space that holds the theme at its core.
Song Review/ Rock : ReeToxA’s ‘The Lisa Song’
The band knows the effect of The Lisa Song and generously gives the listener more ways to enjoy it. And now, you’re about to find your next favorite song to bring to your karaoke night with friends.
Song Review/ Singer-Songwriter : Jeff Dwyer’s ‘Wind Beneath My Wings
Taken from this collection is ‘Wind Beneath My Wings’, a delightful cover of Bette Midler’s 1988 release.